"Poetry is a deal of joy and pain and wonder, with a dash of the dictionary." ~Kahlil Gibran

Thursday, May 26, 2011

I HAVE HAD TO LEARN TO LIVE WITH MY FACE by Diane Wakoski

Diane Wakoski's poem " I Have Had To Learn To Live With My Face" is full of overwhelming rage. I was drawn to it because it made an emotional impression on me. There is so much anger, bitterness, pain, envy and betrayal by others and herself. The word "betrayal" appears several times:
"
My face has betrayed me again" is such a powerful sad statement and it's later on enhanced:

"
My face
that my friends tell me is so full of character;
my face
I have hated for so many years;"

I guess the poem made such an impact because of its relevance for a lot of women especially nowadays in a society that emphasizes the physical aspect and a certain type of beauty overlooking the essential values.

"
my face that I wish you could bruise and batter
and destroy, napalm it, throw acid in it,
so that I might have another
or be rid of it at last.
"
This statement constitutes the pinnacle of self-hate and self-anger. It's strident and of overwhelming intensity.

Thursday, May 19, 2011

SHE HAD SOME HORSES by Joy Harjo

Joy Harjo is a Native American poet and musician and we can find plenty of mythical elements, symbols and values of her culture in the poem "She Had Some Horses". The repetition gives a ritualistic musicality to the poem almost becoming an incantation. The speaker emphasizes the power of ritual. I wonder if it can represent a healing emotional process? The poem explores the woman's emotional life from despair to awakening and power. The speaker is trying to find herself as a woman and appease her inner contradictions searching for oneness.

As a Native American symbol the horse is considered wild and an emblem of freedom combining the grounded power of the earth with the whispers of wisdom found in the spirit winds. I think the horses represent the fragments of spiritual condition of a woman. There are different horses and "she had some horses she liked" and "she had some horses she hated" but ultimately "these were the same horses" so as fractured as her inner being is she will achieve wholeness.

Also the poem reflets Harjo's struggle as a woman and a Native American in hostile society. Same elements we previously encountered in the poetry of Langston Hughes and Jayne Cortez.

Saturday, May 14, 2011

THE LIE by Anne Waldman

I was very compelled by this poem maybe because of my artistic background. It seems to me it is an artistic manifesto, the speaker trying to suggest the incipient moment of creation is nothing but a lie which will ultimately doubt the validity of an artistic work if its foundation is outside the realm of reality. It's based on the buddist belief that everything is an illusion and it appears to be something different than it actually is. We can find the same Buddhist elements in Make Up On An Empty Space.

The poem's theme also transcends not being limited to the art as an entity but using the art as an intrinsic part of the world, of the human existence which is also illusory.
"You fluctuate in an artful body
You try to imitate the world’s glory
Art begins with a lie
That’s the story, sharp speck in the eye."
The fluctuation, the artful body, the imitation - they are all elements sustaining the idea of illusion, of what appears is not what the essence truly is. The ending of the poem is very relevant, the sharp speck in the eye implying not only the hindered view but also the pain that comes with this realization.

Thursday, May 5, 2011

HARLEM by Langston Hughes

The poem is entitles "Harlem" but it has an universal value. It spoke to me especially as an immigrant in New York having so many dreams, which some came true and some got "deferred". I don't think you have to be from Harlem or an immigrant to relate to this short and inspirational poem. It's about a dream that was put on hold. The poem starts with a question that seems so simple and mundane but in fact it has such depth. In the attempt to answer it, a series of rhetorical questions follow. The images although simple are very powerful. Hughes uses similes "like a raisin in the sun", "like a sore", "like rotten meat", "like a syrupy sweet" and puts them in contrast. Hughes uses open form; the lengths of the lines differ and some rhymes can be found (sun-run; meat-sweet). The poem has a certain rhythm, almost jazzy. The last stanza isn't made up from a simile but a metaphor "Or does it explode?". The readers are urged to find answers or start questioning what happened to their dreams. It got me thinking...

Thursday, April 28, 2011

BLACKBERRY EATING by Galway Kinnell

I was attracted to this poem from the moment I read it. The eating of the blackberries just like writing poetry is a fascinating image. The descriptions are so rich and meaningful. The dark, cold blackberries are being consumed for breakfast in the late September. The richness of language is shown through the richness of eating blackberries.

"The ripest berries / fall almost unbidden to my tongue" -
This particular image makes me think about the process of writing poetry, looking for the right words and expressions and suddenly the best words come to mind ("the ripest berries") and perfectly express the poetic emotion.

Kinnell uses the tangible objects to express the abstract. His process of squeezing, squinching open and splurging the blackberries is just like searching for the right word sounds, for the perfect combination of vowels and consonants in order to obtain a fuller tasting of the poetic experience. He nourishes the body with "eating blackberries" and he nourishes the art with writing the poetics.

Thursday, April 14, 2011

IN GOLDEN GATE PARK THAT DAY ... By Lawrence Ferlinghetti

At first impression the poem seemed to be an illustration of an idyllic scene, a tranquil day spent together by "the man and his wife". However the unexpected ending changed the reader's previous perspective. I had to read the poem again with a different viewpoint and I realized how the images dramatically changed their meaning. The impact was a woeful one. It's a sad ending displaying a dark revelation. There are several patters throughout the poem. Some lines are repeating: "which was the meadow of the world" appears twice and through the usage of that line the speaker changes the common place to a universal one. The line "without looking at each other" appears several times and suggests an emotional gap between the man and his wife, which is emphasized by the line "without saying anything". When the wife finally looks at her husband she had "a certain awful look of terrible depression". The last line of the poem leaves the reader inconsolable. At some level it seems to me that the poem represents the reality of most marriages. At first glance, most marriages seem submerged into normalcy but subtle details (such as the repetition of some suggestive lines) are present to disclosed that they are in fact sinking.

Thursday, April 7, 2011

AMERICA by Allen Ginsberg

Allen Ginsberg is one of the most complex poets I encountered so far. America is an intricate poem filled with political and cultural references. The stanzas are irregular and the lines have different lenghts sometimes lacking punctuation. It's characteristic to Ginsberg's style which I find difficult but compelling. Ginsberg starts his poem with incriminating statements and accusatory questions addressing America directly as if preaching to it, vehemently criticizing it. I was suprised by the ending of the second stanza:
"It occurs to me that I am America
I am talking to myself again"
I enjoyed the speaker's identification with America and changing from accusations and lamentations to an acceptance of his condition of being part of America.

The poem can be fully understood only if getting familiar with the political and economical history of America during the 50's. There are many references to the military, political, economical, cultural and religious issues in America at that time. Ginsberg creatively uses humor such as in the last line of the poem : "America I'm putting my queer shoulder to the wheel."